Showing posts with label Community Artwork. Show all posts
Showing posts with label Community Artwork. Show all posts
Saturday, May 7, 2011
Elise in "Sew La-La"
I went to O'Hanlon Center For the Arts today and my friend Carolyn took my picture wearing my coffee suit. Check out the lining! I made the coordinating bag out of a banner printed with the word "ORGANIC" and apples. I love the graphic nature of the block letters.
Elise
Monday, May 2, 2011
"Sew La-La" Wins Special Prize at Whole Foods' Creative Re-Use Contest
The Making of "Sew La-La"
I learned about the Whole Foods' sponsored Creative Re-Use Contest from friends. I contacted Susan Grelock at Whole Foods in Mill Valley and picked up vinyl banners on Saturday, April 23. Hoping to wear the garment at the Awards Ceremony in Mill Valley on June 1, I designed a wearable, lined high-fashion suit with jacket and skirt. During the making of my suit, I drew on my early experiences of watching my mother, a master seamstress design garments. For 2 days, I inspected the banners and slept on how to use the material to its best advantange. I settled on working with the largest and thinnest ones, including a 4' x 8' coffee printed banner used for Whole Foods' 20% off sale, and a double-sided 3' x 5' organic food banner printed with apples and cursive writing. When, I didn't have enough of the coffee printed fabric to make a matching jacket and skirt, I decided to use the back of the organic food banner that luckily was a solid black, which was perfect for the classic design including black inset sleeves and side panels. As a quilter, I create my own fabric and make wearable arts. For this project, I created the combo coffee print/black insets fabric, laid out a combination of Butterick and McCalls patterns, then cut out the skirt and jacket pattern. My intention throughout the making of the piece was to integrate the jacket and skirt with a matching bag and topped with a hat. But, I ran out of time to finish the hat for the Event. To bring the bag into the garment, I used the reverse of the black fabric for the inside collar and bag. So much history went into the making of this ensemble, including the marks on the black fabric which occurred when I had to turn the garment inside out four grueling times after setting the sleeves and the lining. I wish I had a video of the entire process, but I was under the gun for time and really just wanted to have a finished garment by Saturday, April 30, so I put my effort into the making and not the documenting of the process.
I feel like I have gone through a warrior initiation process in the making of the garment as I have the wounds to prove it. I joke that if you look carefully, you'll see tiny smears of my blood on the inside of the garment, caused by multiple stabs from the pins and needles, which I left as a reminder for the difficulty of working with vinyl on a 20 year old Viking 500 home sewing machine. When folks ask me how I do it, I tell, them "Ibwork very slowly, stay in touch with Spirit", and knowing and accepting that anything could have happened when my machine balked at sewing through 3 and 4-layers of vinyl, I joyfully announce, "I am a Feldenkrais teacher. When you can't open the door, move the house!"
As a contemporary textile artist, throughout the making of my coffee suit, I played with titles, including "Wake-Up Call", to speak to the nature of the impact of the plastic and our planet and the metaphor of coffee as a stimulant to make us alert. But, in the end, I am a fashion designer at heart and after chatting with a group of ladies in the Vitamin aisle at Whole Foods, I settled on another idea for a title, "Sew La-La".
I achieved my goal. Sew La-La is wearable, beautiful and truly stunning. In fact, to top off my day, while loading the garment in the trunk, a woman with the same name as me, Elizabeth, saw my suit hanging at the Event. Upon making the connection that I was the designer, she jumped out of her car saying, "WOW, I love your suit!" She forgot to put her Toyota SUV into park, and as she was talking to me, noticed out of the corner of her eye that her car was rolling toward us and the car next to mine. She stepped on my foot, trying in vain to prevent the inevitable. After impact, I asked the man in the parked car if he sustained any injuries. He said, "No. I was distracted by your suit!" I told him, "That is the reason the woman hit your car!" So many stories go into the making of a garment.
A lot of hard work paid off today! I was awarded a Special Prize, called "Nickle For Non-Profit" Program at the Whole Foods Store in Mill Valley. On June 1, my favorite non-profit organization, the O'Hanlon Center For the Arts, where I built my professional art career since my first submission of my fiber art in a gallery show, "For the Love of Fiber", in 2008, will receive a monetary award that is dependent on the amount of donations collected over a given period of time. I am told that it can be at least $500 and as much as $1000. In addition, I have been invited to wear my garment and perform my improvisational singing and story-telling about plastic and it's drastic and fantastic nature at the June 1st Recognition Event at the Throckmorton Theatre in Mill Valley.
My DREAMS are coming true. The Director of "Teens Turning Green" asked me to work with the kids and create a fashion show, with garments made out of trash.







Thursday, June 17, 2010
Last day of 17th Annual Italian Street Painting Festival



Four days after the Festival, I was able to walk normally again! Seriously folks -- it is an incredible experience to be so close to the ground for two days in grueling 90 degree plus heat, "painting" my beloved Equus with chalk pastels -- but, it is physically, mentally and emotionally challenging. However, having never been one to shirk from a challenge, when I heard on Thursday from Suzanne, the Director of the Youth in Arts Program, that I would be painting in the Festival on Saturday, I had a few days to prepare for the event. Using my Feldenkrais skills and meditation, I visioned the entire process from laying out the grid lines, to sketching and finally painting "Camargue Dream", with the chalk pastels in 90 degree heat. When I was exhausted and didn't know how I would be able to make another mark on the ground, I drew on the picture in my mind of pulling myself up by the bootstraps and trudging up the mountain. I knew that I would succeed.
In the morning, I gathered up all of my tools -- brushes and rags for blending, a piece of string to create a chalkline, pieces of felt for blending, a sun hat and sun screen, and plenty of water and a small cooler for snacks to get me through the day -- and I arrived in time for Ole Man Summer to be shining in all of his glory from the East Bay. Covered from head to toe and slathered with 70 Sunscreen, I managed to avoid the inevitable sunburns I got as a kid. Moreover, I developed a real appreciation for the nutrient that sustained me - WATER - throughout the day! Half way through the 2nd day, I started to get a feel for handling the chalk pastels on the asphalt, to the point that I really enjoyed the process of scratching and blending the luxurious media on the ground.
There were so many incredible moments, but the "highlight" of my day at the Festival, was when I had a sudden urge to stand up after painting for 2 hours and right behind me, watching me "paint", stood my Sponsor, Mr. Chris Dempsy, and his children John and Kate. They just "happened" to be standing there when I dragged my stiff body from the abstract images unfolding before my eyes. By this time, I was so full of emotion that I nearly burst into tears because it really is a GIFT to be part of such an incredible event, and Mr. Dempsy's generous GIFT made it possible for me to participate this year, when there were more Sponsors than Artists. Spirit is so GENEROUS!!!
Now that its over, people tell me that they enjoyed seeing my horses at the Festival and ask me, "Will you do it again?" They know its grueling and bolster my confidence when I say, "YES". In fact, on our way home from the Festival, dirty from head to toe with chalk pastel dust, I told my husband, "I just loved painting on the street. I'm going to practice on the street in front of our home." I definitely "heard" him whince at the meer thought, but he didn't object to my aspirations to practice over the year, so I'll be well prepared and ready for the 18th Annual Italian Street Painting Festival next year!
Monday, May 31, 2010
Mill Valley Memorial Day Parade

Balloons, Banners and Flags - OH, MY! On my way to my painting studio today, I happened upon some heavy traffic in Mill Valley. Hoards of people were waiting along the road for the Mill Valley Memorial Day Parade to commence. Instead of going to my studio to paint, I parked the car, walked down to the main hub and took a lot of pictures of people and their dogs, floats and cars and trucks decorated with balloons. In preparation for the Life Painting class next semester, I am really getting excited about photographing crowds of people. My teacher, Chester Arnold, shared his technique for painting crowds of people, using a presscloth to transfer his finger impressions, which beautifully serves as the heads of people, onto the canvas. He likes to paint prisoners with various perspectives. Today, I discovered that I love parades! People are great when they are doing something for others! I want to express that aspect of humanity on my canvas. Life is good.
Elise
Friday, May 28, 2010
Steel armature complete for cassette tape landscape
Steel Armature for Cassette Tape Landscape
Hi All,
Many of you have heard me talking about my opera project for a year now! Much to tell about this project. Here is a picture of my friend and colleague, Ventana Amico, with her sculpture made out of steel. Imagine several of these filled with audiocassette tapes in the manufactured landscape that will provide the stage set for Pele dressed in her videotape dress. Stay tuned as a giant octopus, made out of packing materials, emerges from the depths of my creativity.
Elise
Labels:
Cassette Tape,
Community Artwork,
Opera Project
Friday, May 21, 2010
Quilt Transformed into Community Art Project - "The Wishing Wall"


The quilt took a whole new turn on Friday morning, the day of "Whitsun", when the Holy Spirit comes to the Earth! After I heard the little voice in my head say, " you are creating "The Wishing Wall", I ran into my foyer and stripped the pieces from the wall. I found a basket to hold them, gathered up all of the pushpins I could find and quickly typed up the Score sheet seen above. At school, I pinned the "seed" origami piece with the Score sheet and the monoprint that resulted from my exploration of monoprinting called "Ripples 2" to the wall. During the critique in my Fiber Art Sculpture Class, one student exclaimed, "I don't know if I'm looking at the ground or the sky." In the Land of Metaphor, monoprints folded into simple origami forms do resemble a field of "flowers" or a sky full of "stars." Another student said that she could see this as a large public installation project. Now, I am folding monoprints like crazy for a Community Project at the Falkirk Center for the Arts during the Re: Valued show in June - August, 2011.
Thank you Cayan Robertson for showing me how to create the conditions that encourage people to participate in artmaking.
Elise
Labels:
Community Artwork,
Monoprinting,
Origami,
Quilting
Saturday, February 27, 2010
Friday, August 28, 2009
Community Art Glass Project Opening

Hi Folks,
The Community Glass Art Project I participated on this summer with Marty Meade will be opening tomorrow, August 29, in San Geronimo School at 10:00 AM to 1:00 PM. I hope you can make it.
Elise
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